- Elements of thriller, murder mystery and inevitably comedy, its rather hard to properly place it in one particular genre, it may be considered social realism in the sense that its adequately shocking (which is the translation of 'social realism' into English) and it is based on something that could potentially happen, with situations arising which could be considered real.
- It could also be placed under comedy as most of it is written to be funny and its only at the very end when things seem to get really serious and shocking.
- However it also seems to have elements of drama within it as the concept of the seriousness within the film comes from incredibly dramatic events.
- There is also elements of thriller within it as the underlying idea of a hungover man trying to recall the events of the previous night, is that someone has been murdered and he is slowly discovering who did it and how without even realizing it. The gradual build up of suspense through the narrative of neither audience nor character knowing what's going to be uncovered next, coupled with the easily identifiable factor of being hungover to the stage of memory loss allows to the audience to connect with the main character almost to the point of believing that they are relating to something that has previously happened to them.
- The representation of age is clear within our film. We have taken full advantage of the stereotyping of young people under and around the age of 20 being hooligan ASBO's who spend every waking moment being raucous, rowdy and drunk to actually create the entire premise of the story, we have done this simply because it is far easier to understand and deciding to rebel against the stereotype for this type of story would make very little sense, there is also the factor that the film could speak to some of the people included in the stereotypes about how there will always be consequences for their actions. This is linked to something of an overlaying message to a key issue in the world, namely, hooligan drunken youths and how their actions no matter how they try to escape it (drinking the problems away) will have consequences, if this film was shown to them then it may speak to some of their senses and hit home the idea that there lifestyle may even one day catch up with them. But it isn't just to show this group in a bad light, i hope that the sadness and shock at the end of the film drives home a sense of pity to those this film doesn't represent and maybe even allow them to inject a smidgen of understanding.
- The representation of gender may be a tad harsh for the women if you are keen enough to read into the events of the film beyond possibility as the 2 female characters in the film are both possessive and one of them is deceiving and a mistress. However men don't come off particularly well either, as the main character is also deceiving and comes across as something of a fool throughout the film. Overall therefore, masculinity and femininity matches out and the dominant patriarchal ideology doesn't particularly figure in the equation as despite the main character being male he definitely isn't the dominant figure or the one in control. The only bit of dominant ideology that figures in our film is the fact that he is the one who takes control when his girlfriend is murdered despite the fact that he is blatantly over emotional.
The demographic for our film seems to mainly be made up of youth (15-30) mainly as the humor within it would probably be considered a bit too dark by some older people and as already established programs like The Inbetweeners have proved, relying solely on the younger audience member isn't in any way a risky thing to do. The normal audience member would be a working class male with a fairly immature sense of humor (think a reader of The Sun or Loaded), ABC wage section
Genre - you need more subject specific vocab here - eg iconography - and you need more detail in the thriller section on techniques that you will use (editing? enigma? narration?). This is too short to address the question properly. You have relied on brief descriptions of a couple of characteristics of these genres, but there is no evidence here that you have studied the thriller genre for example.
ReplyDeleteRepresentation - you need to assess whether you have used elements of a modern representation of femininity at all, and if not, how you think this will be read by your audience. In addition, what are your reasons for reinforcing dominant ideologies? You need to be more specific about what exactly you conform to, in terms of ideologies.
Audience - this description doesn't use psychographic or full demographic terms. You need to write a profile of a typical member of the audience. See my blog post on this.
ReplyDeleteRepresentation - you need to show more awareness of the implications of using stereotyping of young people. From the course on collective identity, you know that stereotyping can often reinforce dominant ideologies. What are the consequences for audience and for the reinforcement of certain ideologies, and what are the reasons why you have decided to use this approach (it's essential to explain why to avoid the suggestion that despite what you know about the negative consequences of this, you still think it's the best thing to do)?
ReplyDeleteWill - have you made changes I suggested? If not, I strongly recommend that you do so asap or risk not getting very many marks for this section. If you have already, can you post a comment about this, explaining what you have amended please?
ReplyDelete